Since the creation of Napster, the music industry's only thought about online music has been limited to lawsuits against the very people they want to return to their business. This is, of course, a horrible business model. Before the creation of webplaces such as iTunes, and myspace, a potential buyer was forced to travel to a music store, locate a CD, purchase for $20, and (if they were lucky) get one or two songs (out of fifteen) which appealed to them. This is where the cost of business was factored into any given artist and label. As the article correctly points out, an artist would first have to secure a contract with a label, go to a studio and record an album, then tour with a well-known band, establishing a fan base, and then maybe, just maybe, gain enough popularity to become successful. All of this costs a great deal of money, which is initially paid by the label, who then, in turn, passes the cost onto the consumer. Of course this should also mean that the band gets a large percentage for each record sold, right? Wrong! The sad truth is that bands make their "real money" on tour, whereas the price of the record sales go, almost exclusively to the record label. The money to be made for the members of the band comes from the merchandising and ticket sales for concerts.
Therefore, the new approach to releasing a single, or an album through the use of a free downloadable service is an excellent business plan for the members of a band. It will also allow record labels the ability to sign recognizable bands, that is those bands which have already begun to develop a loyal fanbase. This should cut down on the overhead for the record companies, who in turn, should pass the savings onto consumers. Either by cutting the prices for entire albums purchased the "old fashion" way, or by making available the $0.99 downloads for consumers. The second approach actually brought in nearly $1.1 billion in sales last year, and will likely become more embraced by the labels.
It is important to note that the TV and Movie industry has taken, from the experiences of the music industry, the knowledge that embracing the technology rather than suing your fans is the financially better approach. Shows such as Desperate Housewives have begun to allow fans to download the season's shows for a fee. It will be interesting to watch and see how the ad agencies respond to the TV networks decision to allow downloadable programming, and whether or not this will lead to a fee-only approach to TV viewing?
The article, "Music Moves Into An Uncertain Future", can be read at the following URL:
http://onlineathens.com/stories/020206/living_20060202017.shtml